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December 2018
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The Blueprint curated diary: Sharna Jackson
Sharna Jackson, creative director of Sheffield’s Site Gallery, shares her highlights of what to see and do this winter
ARCHITECT@WORK ANNOUNCES STELLAR LINE-UP OF SPEAKERS
An impressive list of industry experts from architecture, development and the arts are set to share their knowledge at ARCHITECT@WORK, 30th to 31st January. This two-day trade show with a focus on architectural innovation will take place at The Old Truman Brewery in Shoreditch. It includes free admission for registered trade visitors and complimentary catering throughout, which encourages networking and downtime as well as deal-making opportunities.
Make Architects' Katy Ghahremani on the process of great design – and why diversity is vital
Since Make was founded in 2004, director Katy Ghahremani has had its philosophy running through her, but she still has time for other design-related platforms, as well as being keen on seeing a more diverse industry
Sneak a look inside Idris Elba’s The Parrot
A new cocktail bar and live music venue co-founded by Idris Elba and Lee and Nicky Caulfield is now open, set within the iconic Waldorf Hilton hotel.
Andrea Pallarés: One to Watch in December
Andrea Pallarés, who graduated from the RCA and established her own design business much at the same time, reflects in her work the change in needs to suit modern living
Westminster Fire Station helps transform Victoria
In partnership with Far East Orchard Ltd, development manager Alchemi Group reveals its restoration of the Edwardian Grade II listed Westminster Fire Station.
Gagosian Rome presents new works by Sarah Sze
We speak to contemporary American artist, Sarah Sze, about her new works and her latest exhibition at the Gagosian Rome.
Concrete oasis: Glenstone Museum by Thomas Phifer and Partners
Nestled in sleepy Maryland, the new Glenstone Museum, designed by Thomas Phifer and Partners, harnesses nature and concrete to create an immersive, sensory experience blending art and architecture. Far away from crowds and city stress, does ‘slow art’ and silence make for a better museum environment?
