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FX Magazine
  • Woodland Classrooms, Belvue School by Studio Weave

    19 November 2018

    At this SEN school in Northolt, London with the adjacent woodland, designers at Studio Weave made the students their client, to develop ideas for the new classrooms

  • Royal Academy cafes by LOT and Transit Studio

    19 November 2018

    Though constrained by the building fabric’s listed status, LOT and Transit Studio have added pops of colour to the rich yet staid cafe interiors by picking up on the giant wall mural, while sorting out the queues

  • PLYable: One to Watch

    17 November 2018

    PLYable, created last year by architects, Claire and Mags Margetts, and furniture designer, Tom Ownsworth, is a design studio covering architecture, interior, furniture and product design

  • Top Five: Our favourite products in November

    17 November 2018

    Our pick of products new to market

  • Eva Jiricná: 'I had to survive and I had to do my best'

    17 November 2018

    The Czech architect found herself in London and then unable to return home, thanks to the Russian occupation. Struggling to establish herself she has made her way to the top, often via her signature glass staircases, to be at the pinnacle of her profession

  • The Business in November

    14 November 2018

    News and pictures from the design sector

  • The Diary: Exhibitions, shows and events in November

    13 November 2018

    Our pick of events happening this month or coming up

  • FX Awards Trophies by Armourcoat

    12 November 2018

    The inside gen on the coveted FX Awards trophy, being handed out at the gala FX Awards night later this month

  • If Only… there could be a house on the horizon

    9 November 2018

    Gensler imagine a place out of time and out of space

  • Light + Tech: Sculptural Fittings

    7 November 2018

    As smaller, more powerful sources free up the design of light fittings, they have increasingly become more svelte, sinuous and sculptural, in some cases bordering on art, reports Jill Entwistle

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